The Guardian

‘It’s just a mess’

Anger of BR brand genius who says logo has lost its way

Matthew Weaver

When rail industry bright sparks, working at the behest of the transport secretary, Grant Shapps, came up with a new green, environmentally calibrated vision for the traditional British Rail logo they thought it only courteous to seek the endorsement of the man who designed the original. And Gerry Barney, canvassed by the Rail Delivery Group (RDG), readily gave his view. Unfortunately his view is that it is a “load of old bollocks”.

Shapps had promised his plans for the new Great British Railways would offer “updated versions of the classic ‘double-arrow’ logo” when the new system is launched next year. He talked of “a single familiar brand with a bold new vision for passengers – of punctual services, simpler tickets and a modern and green railway that meets the needs of the nation”.

Which was all very well. But it is the reimagining of the traditional logo coloured in four shades of green that has Barney riled. When the Guardian showed him the recoloured version, he said: “I think that’s rubbish. I could understand it if they had just swapped red for green. But why on earth have they got that many colours? It’s a load of old bollocks. It’s just a mess.”

Barney, 82, was surprised by the change because the RDG has been running a TV advert since August that uses the red version logo very prominently. “It’s nice that they are using it again and using it properly, so why would they want to change it?” he said.

The RDG had prepared a supportive quote for Barney, endorsing the green makeover. He refused. “No way,” he said when the quote was read to him at his home in Epsom.

Barney, who designed the double arrow logo as a 24-year-old lettering artist, is also wary of Shapps’s plan for an “updated” logo “built upon” the original version.

“I don’t know if it can be updated, it’s so simple,” he said. “They should just leave it well alone – if it ain’t broke, don’t fix it.”

Barney came up with the idea for the logo on his commute to the Design Research Unit in 1964 from Ealing Broadway to Bond Street.

“The only thought I had was railway lines coming and going,” he recalled. “I did a sketch on the tube on the back of an envelope. It really was an envelope, and I wish I could find it now. It’d probably be worth a fortune. When I got into work I drew it up.”

The design was unveiled in January in 1965 at an exhibition featuring the logo on everything from wine glasses and carpets to tickets and matchboxes.

The initial reception to the double arrow was mixed. “People said they don’t know if they’re coming or going,” Barney said. At the time, the Guardian said the arrows on uniforms made female staff look like “prim old-fashioned convicts”.

But the logo stuck and soon became a visual shorthand for trains and stations. Barney said: “When they started putting it on road signs I began to realise it was going to last. I’m surprised it’s lasted so long, but they’ll find it difficult to replace it now because it’s on every road sign to a station.”

It even survived privatisation in 1996, prompting Labour to accuse the Conservative transport minister of “using the British Rail logo as a fig leaf to cover his embarrassment at destroying the rail network”.

Now Barney is worried his logo could be used to conceal the failings of a rebranded privatised system. “I think the railways should be fully renationalised. Having disparate companies and regions is a load of nonsense. Because each line has its own identity, you’re totally confused. The only reassuring thing is the logo to show you’re at the station.”

He always wanted the logo to be used more boldly. “The first time I sketched it out I covered a whole train with it, from roof to rails, so you could see it a mile away. It looked bloody great, but they wouldn’t do it. They were too apologetic about it, treating it like a badge rather something they were proud of.”

Barney suggests his original bold conception could provide a way of updating the logo now. “There’s no point in changing it. They should do what I initially said and do it big.” But he is not expecting to be approached by rail officials for further direction on a revamped logo. “They probably don’t know I’m still alive,” he said.

Barney and his wife celebrated his 82nd birthday last Friday with a trip to Cornwall, by rail.

‘Why on earth have they got that many colours? It’s a load of old bollocks’

Gerry Barney Designer of original logo

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2021-09-22T07:00:00.0000000Z

2021-09-22T07:00:00.0000000Z

https://guardian.pressreader.com/article/281612423542481

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