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Interview by Michael Hogan.
Gemma Arterton was born in Gravesend and trained at Rada. Aged 21, she made her professional stage debut at Shakespeare’s Globe and her film debut in St Trinian’s. The following year, she landed the coveted role of Strawberry Fields in the Bond film Quantum of Solace. On TV, she has starred in Tess of the D’Urbervilles and Black Narcissus; stage highlights include Made in Dagenham, Nell Gwynn and Saint Joan. She now produces and plays the lead role in Funny Woman, the TV adaptation of Nick Hornby’s novel Funny Girl, about a beauty queen from Blackpool who moves to swinging 60s London to break into comedy. Arterton lives in East Sussex with her husband, the actor Rory Keenan, and their baby son. Adapting Nick Hornby’s Funny Girl for TV turned into quite a saga, didn’t it? I read the book when it came out in 2014, loved it and tried to buy the rights. Obviously they’d already been sold – hey, it’s Nick Hornby! But a few years later, the production company came to me and said that Morwenna Banks had written a pilot episode, would I do it? I was working on a film at the time and remember reading the script out loud in my trailer, laughing away. It was serendipitous that it came back to me. It just felt right – even if reading the novel, you wouldn’t necessarily think of me playing it. Why not? Characters I’ve played before tended to be a little more poised. Strong and switched-on. Whereas in real-life, I’m quite silly. My husband watched Funny Woman, saw the idiotic things she does and said: “Yep, that’s basically you.” How come your comic gifts have been hidden? I just haven’t had the opportunity, but physical theatre is where I started out. We had a teacher with a Complicité background and everything was about telling stories through your body. But then you go to Rada and it’s all about the text and Shakespeare. That was never my forte. I’ve always approached roles from a physicality angle. Sometimes you can get too cerebral with acting but actually, if you start moving your body, it triggers things. Did you base your character, Barbara, on anyone? Morwenna herself was a big inspiration. She put a lot of her own experiences into the scripts. Barbara Windsor’s in there, too. I also watched a lot of Lucille Ball because she’s Barbara’s idol. How did you perfect your Blackpool accent? I always use this amazing database of accents that the BBC has. I managed to find a recording of these brilliant Blackpudlian women in the 60s, just chatting about life, and I listened to that constantly. Didn’t you get grief for your own accent early in your career? Yeah, because it was associated with people from less affluent backgrounds. It’s different now at drama school but in my day, we were told to lose the accent or you’d only play maids or whatever. It’s a shame because I did have a strong working-class estuary accent. Does it come out after a few drinks? Yes! Or around my family. If I’m on the phone to my dad, my husband says my accent really changes. Who are your own favourite funny women? I adored French and Saunders when I was growing up and Joanna Lumley in Absolutely Fabulous. I know they’re not women but I also loved Robin Williams and Jim Carrey – people who are brave enough to let go and be quite off-the-wall. There were a few times in Funny Woman when I’d think: “What would Jim Carrey do?” I hear you love karaoke. What’s your song of choice? I always do Total Eclipse of the Heart by Bonnie Tyler. It’s got loads of key changes and is quite cathartic. When you sing karaoke, you can’t try to be cool. You have to go for drama. Power ballads are perfect. You were a vocal campaigner for Time’s Up and #MeToo. Have things improved? I think so. It’s very different out there now. There’s real solidarity between actresses as well. Before, we wouldn’t often meet one another but it was lovely getting together, feeling that we’re all in this together, rather than competing. Aside from that, a lot more work about women or made by women is getting made. There are more women in top executive roles at studios. Most of the work that I do now, I’m producing in some capacity. We aim for a 50:50 gender balance and people being able to speak up if they feel uncomfortable. We’re starting to see that now, so it’s paying off and I’m really proud. You have a three-month-old son. Do conditions for working mothers need to improve too? That is tricky. Working hours are what’s hard because we have to film depending on the daylight or on night shoots. How do we create a space where it’s easier? What’s most surprised you about being a new parent? How you can function quite well on not much sleep. What’s in the pipeline for you? The Critic, [a film] based on Anthony Quinn’s novel Curtain Call. The production design and cinematography is stunning. Ian McKellen plays the theatre critic and he’s fantastic in it. Then a TV drama called Culprits, which is a cool heisty-type thing. What would you be doing if you weren’t an actor? Something with painting or horticulture. Still a creative job but more hands-on. I’ve moved out of London to East Sussex because I love the outdoors and want to get more into gardening. Last year, we grew all sorts of veg. Next we’re planting fruit trees. So that’s my life now. It’s really enjoyable. All episodes of Funny Woman are available to watch on Sky Max and NOW