2020
Saint Maud
And the homegrown hits just keep coming! I remember seeing Rose Glass’s astonishing feature debut alone in a pokey screening room one cold Tuesday morning and stumbling out in a daze, able only to say the words: “Fuck me!” An electrifying performance by Morfydd Clark [above] is central to Saint Maud’s power, complemented by co-star Jennifer Ehle, whose steely presence becomes a lightning rod for the film’s mysterious power.
Meanwhile Adam Janota Bzowski’s eerily prowling score weaves in and out of Paul Davies’s affecting sound designs with spine-tingling results. That same year, I also got to write about Natalie Erika James’s mesmerising Relic (an Australian horror about Alzheimer’s) and the youth-powered British gem Rocks, directed by Sarah Gavron – films from different sides of the world that both reduced me to tears, in a good way.
Film
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2023-09-17T07:00:00.0000000Z
2023-09-17T07:00:00.0000000Z
https://guardian.pressreader.com/article/281797108597690
Guardian/Observer
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